I think this has been my longest blog hiatus since I began it back in 2013. July and August really came and went fast for me. On July 31, I submitted chapter 3 of my dissertation, and on August 1, I left for my 9th ATHE, in Boston. I spent four days catching up with friends, making new ones, and participating in the activities of the conference. I stayed in Boston a few days longer to visit with my grand-big Dan, and he took me to Maine for the very first time, where we saw the beaches of Ogunquit and Kennebunkport, and had dinner in Portland – now I’ve been to every state east of the Mississippi. Only seven more states to go – anyone up for a trip to North Dakota, South Dakota, Idaho, Montana, New Mexico, Oregon, or Hawaii?
I’ve spent most of August trying to figure things out for the fall. I’m going to be teaching COMM ARTS 100 – Intro to Speech and Composition. I’m (hopefully) going to finish the final 2 chapters of my dissertation in the next 2 or 3 months. I’m also going to be considering my post-graduation options, probably going on the job market, and just figuring out life and stuff in general.
I have missed y’all and the blog, so what better time to start back up than the present, with everyone’s favorite, Flip the Script Friday – with a twist. Politics have been crazier than ever, especially this summer, and with no signs of it slowing down, I thought – what kinds of thoughts can I contribute, in my own little way? A friend of mine is starting a blog about playwrights of color. Rather than copy her idea, I’m modifying FTS (what a cool new acronym!) for the near future to focus on this fantastic book of short plays I’ve found in the library. The book is entitled Black Lives, Black Words and was published in 2017 by Oberon Books, with Reginald Edmund as editor. It is part of an international project to increase black visibility in the theatre, and includes some really poignant scripts. Rather than flip the scripts, I’m going to write up short synopses of some the pieces in the book and share some of my thoughts. I’ve only read the first few, but hopefully I’ll be able to fit the rest of the book among my regular, non-research reading and write more. And now, here is the first of the plays from the book I’ll be reviewing:
#Matter by Idris Goodwin
Synopsis: A conversation on race emerges over Facebook between acquaintances Kim (black) and Cole (white). In response to Kim’s post of “a hashtag and three words,” Cole posts “a hashtag and three words.” The conversation becomes more and more explosive and acrimonious, from scientific to personal, with an unexpectedly sad ending.
My Thoughts: Goodwin really lays it all out there, and concisely summarizes both sides of an argument in a way that comes off as individual and thoughtful rather than preachy and trite. Both Kim and Cole feel victimized by prejudice AND guilty of it at the same time, for different reasons. I feel like it’s like a high-five where the hands just completely miss each other. Both characters speak valid points – sometimes they listen, but they do a lot of talking past each other. What’s really intriguing, though, is the playwright’s continual return to the phrase “perfect star,” – as if that’s a third race.