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Masterpiece YouTube: Double Feature – KOLture Shock/Wootton Acabellas

This week has been rough in more ways than one, as you know, and I’ve kinda been scrimping on new content. I found out about another death today (my friend’s husband, after a short bout of lymphoma) but I had a really positive and enlightening meeting with one of my professors yesterday, so that kinda makes up for it a little. So, to make up for it, I’m putting out a double feature of Masterpiece YouTube; I know it’s my “fall back content” when I haven’t read anything new or can’t think of a rant or a fun story or anything. But here are two YouTube Masterpieces to enjoy.

That’s So Jacob Presents:

Masterpiece YouTube

Episode 20/21: KOLture Shock, “Hatikvah” 2015/Wootton Acabellas, “Troublemaker” 2013

With all the bad rap Israel’s been getting lately (and by lately, I mean, since the beginning of the world), along comes a video that makes me proud to call Israel my spiritual home; something that could only happen in Israel, nowhere else in the Middle East.

We open on an ordinary Jerusalem Light Rail trip (side note: I never got to ride it because it was not finished until a little while after I left) and it’s chock full of commuters from all walks of Israeli life. Suddenly, a chick in a violet top soprano-belts the first line of the Israeli National Anthem (Hatikvah). After a moment of silence, the percussion kicks in and she starts over, this time with accompaniment from a bunch of other riders and stares from…other, non-singing riders, who pull out cell phones. One older lady with glasses and a curly ‘do is singing along, although clearly not as part of the group because we later see her clapping. After a final crescendo and an awesome percussive coda that sounds like a slowing-down train, they get applause and are greeted by a cheering audience from the platform.

This is a masterpiece for two reasons: the a cappella is not bad, could be better, but the camera work is really top notch. A great mix of shots of singers and bystanders, edited together to show a range of emotions. Plus, singing on public transit has always been a fantasy of mine (come on, who wouldn’t want their everyday life to turn into a musical?).

Final note: I actually know one of the people in the video; the skinny chick in the headscarf at around 1:30 is my sister’s best friend from growing up, the one she went to Israel for in December for her wedding. Also, I’m not sure, but the rabbi at 0:30 looks an awful lot like my Chabad rabbi from UMass.

Now for a different type of a cappella; the video quality is poor but the sound is amazing. It was filmed at Wootton High School in Reston, Virginia, and it’s the Wootton Acabellas singing Olly Murs’ “Troublemaker,” a totally underrated pop hit from the early 2010s. The choreography is cute, their outfits are simple yet elegant and age-appropriate, and the lead singer isn’t too bad.

But then there’s the rap soloist.

She is AWESOME. According to the video, her name is Rahila O. Olanrewaju and if she doesn’t have an album in the works, she better start on one because I would pre-order that. Seriously. And I buy a CD about once every five years. Plus, if you listen closely, she is also beatboxing for part of the song, which is also awesome.

The masterpiece about this is that it’s so simple and humble yet these girls can sing. For most people, it’s amazing; for a high school group, it’s outstanding

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Masterpiece YouTube: Not Your Average Beauty Queens, feat. Queneerich Rehman & Alyse Eady

That’s So Jacob presents: Masterpiece YouTube

Episode 6: The Talent Portion of the Competition

One of the best parts of watching a beauty pageant is watching the section called “talent.” It’s mean to use quotation marks, but it’s true – these women might be beautiful, intelligent, and work for good charities, but not everyone’s cut out to be a performer.

But it’s fun to watch them try.

Most pageant performances are passable, a good deal are ghastly, a few are good, and only a very select few are what I would refer to as incredibleAs in, I would legit pay to see someone do this onstage. Popular choices include song and dance. Usually, that song is something operatic like “Nessun Dorma” that very few of the ladies can hit. You’ve gotta be able to store all that air somewhere inside that body of yours, and that place is not in your boobs or your butt. Even worse than opera are renditions of popular songs in a completely different style than what they were intended for. Exhibit A: Every single woman at Miss America who’s ever performed “Somewhere Over the Rainbow” as Edith Piaf rather than Judy Garland. (Retire that song, America. It’s enough.) Dance is another popular choice. I’m partial to ethnic dance or some good Latin, jazz, or tap numbers that actually showcase some coordination or cultural awareness. Ballet and modern do not work as well. Frankly, ballet is pretty boring onstage unless you’re like one of those ballerinas on acid like in Center Stage or something. And modern? Well, you can pretty much get away with rolling around on the ground and yelling these days, so no points for you.

The next level up would be that of instrumental music. Piano is pretty traditional, but is boring to watch, unless you’re Liberace. Which I hope that none of these ladies are. Harp, guitar, violin, sax, or drums are usually a good choice, because you can move around or use some showmanship, and it’s interesting to watch. The odder the instrument, the better. I’d love to watch some girl one day play the tambourine like the useless youngest sister on The Partridge Family. Or maybe even the triangle.

And then…there were Queenie and Alyse.

First up is Queneerich “Queen E. Fresh” Rehman, Miss Philippines in Miss World 2012.

WHOA MAMA. This is some hardcore legit performance right here. It starts with some falsetto singing, but gets better and better. Not only is this lady insanely pretty, but she can beatbox.

Beatbox.

GENIUS.

Why had nobody thought of that before? Beatboxing has been around for ages, and if beauty pageants care anything about breaking stereotypes or being more “current,” as the case may be (and always is)…wake up and smell the coffee because Ms. Rehman is burnin’ down the house right here. Screw all the ladylike nonsense of ballet and singing Barbra Streisand songs – I want to see Miss Belgium break down a rap or Miss Ghana doing a hip-hop routine or…okay, maybe not twerking, per se, but how about something like crazy jump rope tricks or acrobatic dance or an old fashioned dance-off. Make it edgy and hip, and then maybe you’ll see your flagging ratings raise. And you know what else? Miss Philippines had a long ponytail and a gold outfit – no one would dare to call her unfeminine, and if someone did, they’d probably get the beat thrown right back into their face. The compilation is exquisite as well – for someone who doesn’t care much for pop music, she certainly got a lot of the basics from the 90s, 00s, and today, so kudos to her for the smooth transitions.

Next up, probably my favorite beauty pageant performance of all time: Alyse Eady, Miss Arkansas (a few years back as well).

Again, wow. Just wow. Ms. Eady clearly spent a lot of time on her craft and her presentation, because it is fantastic. Ventriloquism is something I couldn’t even begin to attempt, and I didn’t even see her lips move once!

Unfortunately, the Miss Universe pageant (like Miss USA) does not contain a talent portion, so, sorry ladies! You’ll have to leave your ballet shoes, bongo drums, and bass guitars at home for this one.